selected Work - 2018
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Alexander
& the Terrible, Horrible, No Good, Very Bad Day Based on the book By Judith Viorst and Illustrated by Ray Cruz Dir. Cara Gabriel February 9th - March 31st 2018 Get Tickets Here! Alexander is having a bad day. A terrible day. A horrible day. To be quite honest, it's a terrible, horrible, no good, very bad day. But then, everybody has bad days, sometimes. Not only does Alexander wake up with gum in his hair, but his mother forgets to pack him dessert, and his best friend decides he's not his best friend anymore. And if that's not bad enough, Alexander's brothers don't have any cavities but—he does. And just when it can't get any worse, there are lima beans for supper and —yuck!—kissing on TV. It is enough to make anyone want to go to Australia. Uuuugggghhh. |
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selected Work - 2017
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Shook
By Latefia Bradley October 13th-15th 2017 More Photos Here! Momentous or miniscule, indisputable or understated – there are some experiences that shake us, altering the course of our lives, and the fabric of who we are, in incalculable ways. This modern dance piece asks us to reflect on how we become who we are. Inspiration for the piece draws from the choreographer’s interviews with UMD community members, featuring an installation showcasing this footage. |
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The Return
By Hanna Eady & Edward Mast Dir. John Vreeke June 7th - July 2nd 2017 More Photos Here! A gripping mystery set in a run-down automobile repair shop in old Herzliya, this American premiere by Palestinian playwright Hanna Eady and Seattle based writer with Edward Mast elegantly dramatizes the smoldering tension between a Palestinian mechanic and an attracted, conflicted Israeli Jewish woman from his past. |
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Cinderella:
The Remix Writer & Dir. Psalmayene 24 Music by Nick "the 1 da" Hernandez April 19th - 24th 2017 More Photos Here! Cinderella, The Remix, written by Psalmayene 24, is a new take on a classic story. There's no Prince Charming to chase, only the chance to live out the dream of becoming a beat-mixing queen in this girl-powered, music and dance update of the classic fairy tale. Cinderella lives in her stepmother's basement, practicing her craft at the turntable, since girls aren't allowed to DJ. But when the super-famous J Prince announces a contest to play his latest jam, Cinderella disguises herself as a boy to compete, and with some help from her Fairy Godmother Hoperah, she gets her chance to spin -- at least until midnight. |
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The Importance
of Being Earnest By Oscar Wilde Dir. Amber McGinnis February 10th - 18th 2017 Cecily and Gwendolyn know that the only really safe name for a suitable suitor is Earnest. But Algy and Jack, the two blundering bachelors who set out to woo them, don’t let a little detail like that stand in their way. The main thing standing in their way is the formidable Lady Bracknell, who is intent on ensuring everything is properly buttoned up. Alas, the game of Victorian-era courting goes hilariously awry in this beloved classic comedy of manners. More Photos Here! "The real stars of the show were the beautiful sets, designed by Matthew Buttrey, and luxurious costumes, designed by Jeannette Christensen... Christensen’s period costumes were well-fitting and elegant." --- DC Metro Theater Arts |
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The Freshest
Snow Whyte Writer & Dir. Psalmayene 24 Music by Nick "the 1 da" Hernandez February 11th - March 18th 2017 More Photos Here! Fans of past Hip Hop shows at Imagination Stage will love this radical update of a familiar fairytale. Set in the year 3000, we meet Snow Whyte—a graffiti-artist locked in competition with her arch rival, Kanye East, over which of them makes the “freshest” images in the universe. Both depend on a Simon Cowell-type celebrity called Mira to decide which of them is the best. After her exile to a distant planet, Snow Whyte is sheltered by two rapping alien twins (reminiscent of the Seven Dwarves), and survives two visits from the vengeful Kanye, dressed in crazy disguises. She then uncovers the true secret to talent: that it is shared equally among all people, and not the exclusive property of anyone. Witty raps, cool moves, and a beat that just won’t quit, this show will have you bouncin’ in your seat and shouting “Oh, yeah!” "Dylan Uremovich's lighting and Jeannette Christensen's costumes enhance our experience to the fullest." -- Broadway World, DC "The Snow Whyte of the future is a lot doper than the one of the past. She’s also a lot more gender friendly and fiercer." -- DC Theater Scene. |
selected Work - 2016
meet the designersCostume Design by Jeannette Christensen
Scenic Design by Tyler Herald Lighting Design by Dylan Uremovich Sound Design by Justin SchmitzJus |
The Call
By Tanya Barfield Dir. Eleanor Holdridge September 30th - October 8th 2016 When Annie and Peter decide to adopt, they set their sights on a child from Africa. But just how much of Africa are they willing to bring into their home? Long-buried secrets surface, surprising new tensions with old friends arise, and their marriage is put to the test — all in the face of one startling choice. With keen acumen, this portrait of cultural divide casts global issues into the heart of an American home. “A thoughtful and engrossing new play.” -- The New YorkTimes Click HERE to see photos.
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